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Meander is a space for documentation and experimentation within our website, a place to reflect on our projects and artists, as well as a way to explore intersections between those works, artists, and themes we study under our mission (Japanese experimental moving image works made in 1950s-1980s), and those that fall outside of our mission’s specific framework of timeframe, genres, and nationality.
Meander may take multiple forms including essays, introductions to artists and their work, online screening programs, or special digital projects. Offerings in Meander may suggest oblique angles from which to see CCJ’s mission-specific works, artists, histories, or practices.
Lee Stabert introduces Masanori Ōe, a key artist for our Community of Images exhibition and for counterculture filmmaking in both the US and Japan. A filmmaker, writer, and translator, he was a young man when he left Japan for New York City in the mid-1960s.
Read MoreWe are pleased to take the opportunity in the Community of Images exhibition to conduct research in Akiko Iimura’s legacy as writer, translator, and filmmaker. With help of Kentaro Taki of the Videoart Center Tokyo, and Yukishige Takesue, former colleague of Akiko’s at OCS, we dug into her films and news articles she had written. We located Akiko’s original films at the Iimura’s studio in Tokyo, and newly digitized in 2024. Takesue dug into the OCS archive and identified key articles in which she reported on the avant-garde arts scene in the 1980s and 1990s.
Read MoreIn March 2023, as part of the Community of Images exhibition project, we partnered with Videoart Center Tokyo to research materials at Takahiko Iimura’s studio in Tokyo. We were in search of materials related to Shelter 9999, a collaborative work between Takahiko Iimura and composer Alvin Lucier.
Read MoreClaudia Siefen-Leitich explores the filmography of Tokyo-based, Frankfurt-educated filmmaker Goh Harada.
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