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Meander is a space for documentation and experimentation within our website, a place to reflect on our projects and artists, as well as a way to explore intersections between those works, artists, and themes we study under our mission (Japanese experimental moving image works made in 1950s-1980s), and those that fall outside of our mission’s specific framework of timeframe, genres, and nationality.
Meander may take multiple forms including essays, introductions to artists and their work, online screening programs, or special digital projects. Offerings in Meander may suggest oblique angles from which to see CCJ’s mission-specific works, artists, histories, or practices.
Wakae Nakane, researcher and curator of special program Anarchic Visions: Women’s Cinematic Experiments in the 1990s, discusses the works on show in the context of this period of Japanese experimental filmmaking.
Read MoreMia Parnall reflects on the revelations of the Interrogating Ecology project wrapped up in December 2021.
Read MoreAn inaugural offering in Meander in spring 2021 by Yuki Okumura with Shuzo Azuchi Gulliver.
Read MoreWe are pleased to announce the new web publication by art & media researcher Shuhei Hosoya on Zero Jigen (Zero Dimension) group, titled “Archive of Action: Zero Jigen’s Media Strategy and Image Amplification.”
Image: Suiri Story (Detective story), Futabasha, 1965. Collection of HM Archive
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