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Meander is a space for documentation and experimentation within our website, a place to reflect on our projects and artists, as well as a way to explore intersections between those works, artists, and themes we study under our mission (Japanese experimental moving image works made in 1950s-1980s), and those that fall outside of our mission’s specific framework of timeframe, genres, and nationality.
Meander may take multiple forms including essays, introductions to artists and their work, online screening programs, or special digital projects. Offerings in Meander may suggest oblique angles from which to see CCJ’s mission-specific works, artists, histories, or practices.
We are very happy to welcome researcher Nina Horisaki-Christens as a CCJ collaborator starting with a republication of her essay on Ko Nakajima, “Video as Biological Cycle: Ko Nakajima’s Ecological Vision.”
Read MoreCCJ was mentioned in the recent New York Times article about MoMA’s presentation of Cinematic Illumination and More Than Cinema exhibition at Pioneer Works!
Read MoreNow available through Archive Book’s website! Collaborative Cataloging Japan is proud to announce the launch of its first publication, Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s, co-edited by Go Hirasawa, Julian Ross, and Ann Adachi-Tasch, and published by Archive Books, Berlin.
Read MoreWe are truly excited for the opening of Shuzo Azuchi Gulliver’s 18 slide projector piece, Cinematic Illumination (1968-69), at The Museum of Modern Art until February 2021! Delayed due to Covid-19 closures, the piece is finally presented to the public starting today.
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