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Meander is a space for documentation and experimentation within our website, a place to reflect on our projects and artists, as well as a way to explore intersections between those works, artists, and themes we study under our mission (Japanese experimental moving image works made in 1950s-1980s), and those that fall outside of our mission’s specific framework of timeframe, genres, and nationality.
Meander may take multiple forms including essays, introductions to artists and their work, online screening programs, or special digital projects. Offerings in Meander may suggest oblique angles from which to see CCJ’s mission-specific works, artists, histories, or practices.
We are pleased to re-publish a text by Hirofumi Sakamoto about the range of use of video in Japanese moving image and fine art practice in Japan starting in the 1960s.
Read MoreCollaborative Cataloging Japan is proud to announce the launch of its first publication, Japanese Expanded Cinema and Intermedia: Critical Texts of the 1960s, co-edited by Go Hirasawa, Julian Ross, and Ann Adachi-Tasch, and published by Archive Books, Berlin.
Read MoreOur archivist partner Nobukazu Suzuki has been working to salvage collections in Japan damaged by the Typhoon 19 / Hagibis that landed on October 12th, 2019. He has sent us an update on that work.
Read MoreIn this special offering, CCJ is delighted to welcome artist Yuki Okumura to devise an intervention into a part of our website. We are excited to experiment with this new framework we are calling Meander, a space to explore intersections between those works, artists, and themes we study under our mission (Japanese experimental moving image works made in 1950s-1980s), and those that fall outside of our mission’s specific framework of timeframe, genres, and nationality.
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